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Sample Research Proposal on UK CONSUMER PERCEPTION TOWARDS INDIAN FASHION

 

1.     INTRODUCTION

 

The aim of this study is to explore the Country of Origin effects along with fashion involvement theory and self-concept theory and its influence on perceptions of UK consumers towards Indian fashion.

 

After the Second World War the international trade has gained momentum, and is still growing rapidly. Firms are globalising their operations and expanding markets in order to gain competitive advantage. In such markets consumers have access to large range of products from all over the globe. To make the purchasing decision in such wide range of products consumers may rely on some cues which would help them evaluate the products. One of the important measures is 'country of origin'. Consumers relate the product quality to the country it belongs to. However to some extent it also represents consumers' emotions such as national pride. Hence, country of origin is considered important in modern economy.

 

Several studies, such as 'hierarchy of biases' among countries- a positive relationship between country of origin effects and the level of economic development (Schooler, 1971, Wang and Lamb, 1983) and similarly other studies have hypothesised that country of origin effects may differ across countries, as it depends on consumer's perception on the political and cultural climate of the country of origin (Cited in Han, 1990). The studies also found the disparity of COO effects among product types and a nexus between the demographic factors such as sex (Schooler, 1971 and Wang 1978 cited in Good and Huddleston, 1995), age (Wall et al, 1988; Tongberg, 1972; cited in Good and Huddleston, 1995), educational level and income (Anderson and Cunningham, 1972).   

 

Many authors have also discovered the existence of consumer ethnocentrism in some countries which creates a strong element of patriotism favouring home produced to foreign produced goods and services (Sharma et al., 2005; Balabanis and Diamantopoulos, 2004; Nagashima 1970). For example, the US consumer prefers the US products over foreign products (Nagashima 1970).

This study concentrated on the COO effect on the UK fashion consumers. The rationale behind selection of the UK market is that, UK has a high level of retail clothing sale and also the British market is among the largest and the fastest growing in Europe. In terms of value, the UK retail clothing sales represented 30,605 GBP in 2005 i.e. 11.7% of the total retail sale in the UK (Key note, 2006).

 

1.1 INDUSTRY BACKGROUND

 

The UK retail clothing market was worth an estimated £29.96bn in 2003, an increase of 32.1% on the 1999 value (Key Notes, 2004). The market showed a sturdy growth in the years 2002 and 2003 with an increase in retail spending. The UK retail and textile industry was the support of the economy in the UK until many factories were shut down and the production was moved overseas. There has been more pressure on the UK producers since the global Multi Fibre Arrangement (MFA) expired in 2005, resulting in abolition of the import quotas. This has resulted with production shifting to the most efficient, cheapest and most reliable suppliers — India and China.(Key Note, 2004) and hence textile manufacturing is in serious decline. The bulk of UK clothing sales come from imports and, in 2005, these reached a 5-year high of £11.54bn (up 6.1% on 2004) (Key Note, 2006).

 

 

1.2 CLOTHING MARKET

UK clothing market was once a foundation of the UK economy but since the production work has been outsourced to other countries most of production houses and factories in UK have been closed. The prices of clothing are falling due to outsourcing in the developing countries and generating cheaper supplies. However the most important issue in clothing market is the Republic of China, after the end of world trade agreement in 2005, China has flooded the UK and US markets with cheap products. This has resulted in a drop in employment in textile and leather industries from half a million in 1980 to less then 140,000 in 2005. According to Business Monitor PA1003 there were 12,030 VAT-registered companies involved in clothes retailing in the UK in 2003, where the vast majority of clothing retailers (89.3%) employed fewer than ten people in 2003, while 72.1% employ fewer than five. Those employing 50 or more accounted for just 1.9% of the total (Key Note, 2004). According to key notes the UK clothing and footwear market was worth an estimated £44.45bn in 2005, which accounted for less than 6% of total consumer expenditure (Key Notes 2006).

The UK clothing industry is growing strong in fashion and design and also the costs of production are falling as manufacturing is increasingly being relocated to cheaper locations around the world. However the UK clothing industry has lower productivity than leading European competitors and is increasingly being threatened by low-cost foreign competitors who are eroding the profit margins. Also downturn in the economy is a major threat to the clothing industry as it could cause men, in particular, to cut back on overall spending in this sector

 

 

1.3 RETAILING

Owing to the high import penetration, the clothing market in the UK is now driven by retailing rather than manufacturing (Key Note, 2006).

Clothing retailing is a key sector of the UK retail market and, between 2001 and 2005, clothing sales outpaced retail sales overall. Based on an index of 2000 = 100, the index of clothing sales reached 129 in 2005, compared with an increase to 126 for all retail sales. The percentage of the retail market accounted for by clothing also rose a little from 11.6% in 2001 to 11.7% in 2005 (Key Note, 2006).

 

Table 1: Retail Sales of Clothing and All Retail Sales in the UK (£bn, Index 2000=100 and %), 2001-2005

  

2001

2002

2003

2004

2005

Retail sales of

 

 

 

 

 

clothing (£bn)

25.4

27.0

28.5

29.9

30.6

Index

107.0

114.0

120.0

126.0

129.0

 

 

 

 

 

 

All Retail Sales (£bn)

219.8

233.5

241.5

255.8

261.0

Index

106.1

112.7

116.6

123.5

126.0

% share of retail

 

 

 

 

 

sales of clothing

11.6

11.6

11.8

11.7

11.7

Source: Key Note (2006) Clothing Manufacturing

 

Official estimates of retail sales of clothing are a little higher than total household expenditure. According to National Statistics' Retail Sales, retail sales of clothing by clothing retailers, increased from £25.39bn in 2001 to £30.61bn in 2005, a 20.6% increase. Large businesses accounted for 87.6% of the total in 2005, up from 83.1% in 2001, while sales of clothing within the smaller businesses are estimated to have fallen by 11.5% between 2001 and 2005 (to £3.8bn). The lower prices offered, as well as the more extensive clothes ranges available to customers from the larger stores, are likely to have contributed to the trend (Key Note, 2006).

 

Table 12: UK Retail Sales of Clothing by Size of Retailer at Current Prices† by Size of Business (£m and index 2000=100), 2001-2005

 

2001

2002

2003

2004

2005

 

 

 

 

 

 

Retail Sales of Clothes (£m)

25,386

27,046

28,470

29,894

30,605

Index (2000=100)

107

114

120

126

129

Of which:

 

 

 

 

 

— large businesses

21,084

23,055

24,631

26,208

26,799

— small/other businesses

4,302

3,991

3,839

3,686

3,806

 

 

 

 

 

 

† —Not seasonally adjusted

Note: retail sales of clothes in 2000 = £23,725m

Source: Key Note (2006) Clothing Manufacturing

 

2. LITERATURE REVIEW

 

INTRODUCTION

 

The aim of the study is to determine the COO effects on the UK consumers for Indian fashion market. The fashion industry has grown tremendously over the last decade, and people's perception of being fashionable has also changed. However it has always being used as a mean to develop self- image. Gurel (1979:91) in the book 'Dimension of Dress and Adornment: a book of readings' said; "Clothing is a 'silent language', we express our inner most traits of personality through our selection of clothing. As a form of nonverbal communication, the language of clothing is read by others and interpreted in forming their impressions of us." Thus fashion has become a significant factor of people's lifestyle, and their perception about the clothes and the origin of clothes holds a lot of importance.

 

This chapter provides the most relevant literature about COO and COO image. The chapter is divided into two sections, covering COO effects and images and fashion literature i.e. fashion involvement. It explores the studies conducted by many researchers, such as model of 'country image dimension' discovered by Roth and Romeo (1992) which explains the country image and product category fits. The review then outlines the self- concept theory, and later the notion of fashion involvement and fashion innovation. 

 

 

2.1 COUNTRY OF ORIGIN

 

Countries of origin have many effects on the products or services offered overseas. These effects have been investigated for a long time, and the studies carried out by several researchers (Nagashima, 1970; Roth and Romeo, 1992; Papadopoulos, 1993; Cateora and Graham, 2005) have reflected in the vast number of research articles.  

 

According to Papadopoulos (1993) and Lee and Schaninger (1996) country of origin is the country of manufacture or assembly and also the country of product design. However due to globalisation one particular product may be manufactured in many countries, for example to cope with the increasing competition at international echelon, automobile companies were forced to develop the following framework and integrate them in the local management strategy. Product development, supply systems including factory locations; systems to purchase from suppliers of parts, components, intermediary material and raw material; production systems at factories, and automobile sale and distribution systems although they may be different region by region, but the product is integrated under the local management (Shimogawa N. D.). This illustrates how global manufacturers operate in order to be cost effective. For instance, in many countries such as China, Brazil, and Poland labour is cheaper compared to the developed countries (China's WTO updates, Yale Global online). Hence by moving some of the operations such as manufacturing or customer service centres (call centres) the organisation can reduce the overall cost of the product or services and thus gain competitive advantage.

 

Consumers may not know the exact country of these processes. Thus a suggestion was provided by Johnson et al. (1985) and Ozsomer and Cavasgil (1991) that the country of origin could be referred as the country where the corporate headquarters of the company marketing the product or branch is situated. After summarising the definitions of COO it could be said that in the view of these authors country of origin is the country where products or services are manufactured, designed, integrated, and it is also holds a headquarter of the corporation.

 

2.2 COUNTRY IMAGE

 

The significance of country of origin in the customer choice behaviour is well known in business literature. It was initially highlighted by Schooler (1965). However the definition of country of origin image provided by Nagashima is commonly accepted. According to Nagashima country image is 'the picture, the reputation, the stereotype that businessmen and consumers attach to products of a specific country. This image is created by such variables as representative products, national characteristics, economic and political background, history, and traditions (Nagashima, 1970). 

However the view of Nagashima was argued by other researchers. They believed that in relation to well known products, consumers have product specific information which is structured and developed in memory. Experimental studies have verified that consumers persist to seize diverse sets of beliefs across different product categories and those attitudes towards products from a given country vary by product category (Bilkey and Nes, 1982; Kaynak and Cavusgil, 1983; Roth and Romeo, 1992, Cited in Agarwal and Sikri, 1996). For instance, product category of fashionable garments and accessories originating from Milan or Paris are considered superior. Although, the same product category from another country; for instance, Brazil will not be equally popular. Thus it demonstrates the effect of COO image on the consumers. A study conducted on country of origin image by Arun Pereira, Chin- Chu Hsu, and Sumit Kundu suggests that any tool that claims to measure country of origin image must consist of items that concentrate on three facets i.e. 'general country attributes' (GCA), 'general product attributes' (GPA), and 'specific product attributes' (SPA) (Pereira A. et al., 2002). Several counties have distinct manufacturing reputation for a specific product category. For instance, France is reputed for manufacturing superior fashion apparels and Italy is reputed for quality shoes.

 

2.3 COUNTRY OF ORIGIN EFFECTS

 

The study of country of origin effects evaluates how consumers react to products originating from a particular country. "Country of origin effect is any influence that the country of manufacture, assembly or design has on a consumer's positive or negative perception of product." (Cateora and Graham, 2005, p.367) In the view of Philip Cateora and John Graham (2005) the country, the type of product, and the image of the company and its brand influence whether the country- of- origin will engender a positive or negative reaction from consumers. Roth and Romeo looked at the country and product category dimension matches and mismatches. Figure below illustrates the model introduced by Roth and Romeo (1992). They said: "A product- country match should occur when important dimensions for a product category are also associated with country's image. When there is no such linkage, a mismatch between the product category and country should exist."  To understand the model of 'matches/ mismatches of product category and country dimensions by Roth and Romeo (1992) the four dimensions of country image should be observed.

  • Innovativeness      > Uses of new technology and engineering advances
  • Design                   > Appearance, style, colours, variety
  • Prestige                 > Exclusivity, status, brand name reputation
  • Workmanship       > Reliability, durability, manufacturing quality.

Roth and Romeo (1992) developed this framework which explains how country of origin image dimensions matches or mismatches product features. This framework links product category perception of consumers to the country of origin image dimensions.

 

A favourable match would take place when a perceived value of a country is favourable for a particular product. For example, Milan is known as a fashion capital of the world. According to the dimensions of country image, it comes in 'Design' and 'Prestige' category. Therefore fashionable garments and accessories in Milan represent a product- country 'Favourable Match'. While on the other end Hungary is considered weak in Deign and Prestige. Hence in this case there is a product- country 'Unfavourable Match'.

A favourable mismatch would appear when the strength of the country is not perceived to be essential for product feature. Taking the example of Milan in production of wine, the Prestige and Design dimensions of country of origin would not fit to this product category. Hence wine and Milan would classify into the Favourable mismatch. Finally unfavourable mismatch would exist when both the country images are not important and not perceived as strength of the country to the product category.

 

 

2.4 STERIOTYPING

 

According to Oskamp (1991) stereotypes are a "highly simplified sets of beliefs; typically they contain clear evaluative elements and are rather rigidly resistant to change" (Cited in Cele Otnes and Mary Ann McGrath, 2001). In other words, people tend to form a certain image or behaviour towards products or the country. Stereotypes may take the form of images, attitudes, feelings and activities. (A. Michel, 1986)

 

Papadopoulos and Heslop (1993) believe that the existence of country images leads to the stereotyping of products. Stereotyping is inherent to the process of classification which people use as means of coping with the world around them. Stereotyping is a generalisation process inherited from the familiarity with the products. It creates the image that represents the whole country. In fact, it is the consumers' speculation to approach the reality. For example, French product stereotype is luxury and Japanese stereotype is advanced technology. "The Stereotype that all Japanese cars are reliable is based more on inference than on observation of reliability of the target product" (Maheshwaran, 1994).

 

 

Stereotyping begins in the form of generalisations abstracted from a limited number of observations; and if the number and scope of observations about the object (i.e. familiarity with it) increases, the stereotype is likely to move closer to 'objective reality' (Papadopoulos and Heslop, 1993). Consumers' evaluation of products is based on various attributes, but when they do not know much about the product, they rely on country stereotype (Cattin et al., 1982). Consumers tend to relate the products to the nature of the country.

 

 

The study by Nagashima evaluates how Japanese and U.S. consumers perceive Germany, England, USA, Japan, France and Italy. The results of this study illustrated that German and British products were positively ranked by Japanese consumers. However, the 'Made in USA' is more highly regarded by American businessmen than by Japanese businessmen. In addition the goods of certain countries were valued more in various countries. For example 'Made in England' carried a traditional image of excellence in Japan, but not in USA (Nagashima 1970). The study proves the point highlighted by Cattin et al. (1982) that consumers' evaluations of product to certain extent rely on the country stereotype. However, Seven years later, his subsequent study (Nagashima 1977) in the same areas found that the image of USA had deteriorated in many ways during the eight years, 1967-1975 whereas there was an improvement for the image of German, French and Japanese goods.

 

A similar study was conducted by Roth and Romeo (1992). They formulated a theoretical framework for the relationship between consumer preferences for a country's product and preferences for country's culture, economy and politics. They asserted that the consumer's evaluations of a specific product from the country X are based on the match between the product and country. According to the authors, consumers prefer country X as an origin for specific products when they believe that there is a match between the perceived "strengths" of country X and the skills that are needed for manufacturing the product under consideration. For example, a preference for German car is based on consumers' perception of the workmanship of German engineers and the facts that German is a technologically advanced society (Verlegh and Steenkamp, 1999).

 

Therefore studies have indicated that there are linkages between country stereotypes and product categories. There are some products considered more cultural and classic of a country as compared to other countries. Even though country stereotypes are often difficult to change and tend to be long lasting, they are not unchangeable. Aggressive advertising, advanced engineering and even sponsoring an international event could improve a negative country image (Verlegh and Steenkamp, 1999).

 

2.5 LOCAL V/S IMPORTED

 

A strong element of patriotism has been found in many studies, favouring home produce to foreign produced goods and services. For example, the US consumer prefers the US products over foreign products (Nagashima 1970). Such a preference of domestic products over foreign product is known as "Consumer Ethnocentrism". In general, the consumer ethnocentrism literature suggests that consumers high in ethnocentric tendencies are less accepting of foreign products, and judge them unfavourably (Sharma et al., 2005).Consumer ethnocentrism focuses on the loyalty of consumers to products manufactured in their own country and the responsibility and morality of purchasing foreign-made products (Shimp and Sharma, 1987). Many studies have documented an existence of a bias against foreign products and in favour of domestic ones which is manifested in both product perceptions and buying intensions (Balabanis and Diamantopoulos, 2004). Moreover it has been found that the country of origin (COO) of a product is an important determinant of a consumer's bias against it (Balabanis and Diamantopoulos, 2004). Consequently, consumer ethnocentrism may cause an overestimation of the attributes and overall quality of domestic goods over the foreign one (Sharma et al., 1995).

 

From the perspective of ethnocentric consumers, purchasing imported products is wrong because, in their minds, it hurts the domestic economy, causes loss of jobs, and is plainly unpatriotic; products from other countries are objects of contempt to highly ethnocentric consumers. To non-ethnocentric consumers, however foreign products are objects to be evaluated on their own merits without consideration for where they are made (Shimp and Sharma, 1987).

 

 

 

 

2.6 DEMOGRAPHIC EFFECTS

 

Demographic variables, such as age, sex, education and income, may also play a role in differences in COO image. Many researchers from different time and ethics found some controversial conclusions which could be seen as below:

 

Age: In terms of age, younger people tend to have more positive attitudes towards foreign products that older people do (Wall et al, 1988; Tongberg, 1972; cited in Linda and Patricia, 1995). However, some researchers found that age has no influence on the favourability of foreign product (Johansson et al., 1985; Morganosky and Lazarde, 1987).

 

Sex: The result of sex in correlation to country of origin is also mixed. Schooler (1971) and Wang (1978) found that females tend to rate foreign made products more favourably than do men (cited in Good and Huddleston, 1995). However, Han (1988) found women to be more patriotic and more patriotic consumers are less likely to choose foreign products. However Anderson and Cunningham (1972) have revealed in his studies that there is no such gender discrimination.

 

Education: in the view of Festervand et al. (1985) education is the most dominant demographic variable. Many authors have concluded that highly educated consumers were more in favour of imported products than the ones with limited education. As the education level was increasing the perception in favour of imports was increasing simultaneously. (Anderson and Cunningham, 1972; Good and Huddleston, 1995; Schooler, 1971; Sharma et al., 1995;)

 

Income: Anderson and Cunningham (1972) found that consumers with a higher level of income are likely to accept foreign products more easily, and are less likely to buy national-made products only just because of nationalistic feelings. Similarly other authors such as Bailey and Pineres (1997), Good and Huddleston (1995), and Sharma et al. (1995) supported the view of Anderson and Cunningham. On the contrary Han (1990) argued that the income is not the significant factor in the variations in ethnocentricity between consumers.

 

 

2.7 FASHION INVOLVEMENT

 

"In the perspective of consumer activity and fashion clothing, involvement is defined as the extent to which the consumer views the focal activity as a central part of their life, a meaningful and engaging activity in their life." (O'Cass, 2004). Fashion involvement is a consumer's perceived importance of fashion clothing. Further, the continuous and cyclic nature of fashion implies that people are often drawn into the style or fashion of the moment (O'Cass, 2001). Tiger at al, (1976) cited in McFather, (2005) found that fashion involvement is composed of five dimensions of fashion adoption-related behaviour: a) fashion innovativeness and time of purchase, b) fashion interpersonal connection, c) fashion interest, d) fashion knowledge ability, e) and fashion awareness and reaction to changing fashion trends.

 

There has been a very high Fashion involvement by young adults and due to this; this age group has been taken into consideration in the study of clothing by Auty and Elliott (1998). In their study of fashion involvement, self-monitoring and the meaning of brands; perceptions of brand were perceived differently according to age and sex of the respondent. The findings display that women and young consumers were more positive about their trend (Auty and Elliot, 1998). O'Cass (2001) examined the relationships between gender, self-monitoring, motives for clothing consumption, materialism, age and fashion clothing involvement. The fashion clothing involvement is significantly effected by a consumer's degree of materialism, gender and age where females and younger consumers possess a strong involvement in fashion.  Further, fashion clothing involvement influences fashion clothing knowledge. Finally the fashion clothing knowledge influences consumer confidence in making purchase decision about fashion.

 

One of the most significant dimension of fashion involvement is fashion innovativeness. The study of fashion innovativeness by fashion marketers, consumer psychologists and clothing theorists helps them to better understand the behaviour of fashion innovators and the process of fashion distribution. Fashion innovators, after all, comprise a unique and important segment of the fashion market. Because they are among the first to purchase apparel when new styles and designs are launched in the market, their reaction to the new styles and design may be crucial to the eventual success or failure of the product (Goldsmith, Moore & Beaudoin, 1999).  Fashion innovators influence fashion followers by exposing them to new styles and also fashion innovators have different self image compared to later fashion adopters. Fashion innovators enjoy spending money on fashion apparel and also tend to be younger than fashion adopters. They also generate adequate revenues in the fashion market (Goldsmith, Moore & Beaudoin, 1998 & 1999 ).

 

 

2.8 SELF-CONCEPT THEORY

 

Consumer self-concept could be defined as the individual's definition of the situation, for example in response to the existential questions of 'who am I' and 'what is the meaning of my life?' (Wee et al., 2003). The theory of self-concept is referred to as, 'the collection of attitudes that people hold towards themselves (Goldsmith et al 1998, 99). Individuals often define their existence and selves in relation to others. People have a desire for a personal identity so that they can better understand their status and roles in life (Elliott, et al., 1998).

 

Individuals often define their life and selves in relation to others. People have a desire      for a personal identity so that they can better understand their status and role in life. To achieve this personal identity, people relate to, and compare themselves with, others around them in a process known as symbolic interaction, where individuals learn to agree on shared meanings of symbols or objects (Wee, et al. 2003).

 

As there is no universal yardstick to measure and compare people, the only way people can know who they are is by observing what they themselves have or possess. Self, then, can be said to comprise not only one's body parts, but also one's thoughts, ideas, experiences, as well as external objects such as personal possessions (money, clothes, shoes), more substantial possessions (like cars and property), and even persons, such as spouses, children, friends and subordinates (Wee, et al. 2003). Belk (1988) maintained that only a complete ensemble of consumption objects may be able to represent the diverse aspects of the total self.

 

On the surface, fashion appears to provide consumer with a plethora of choice – a palette from which a consumer can paint an identity as he or she pleases (Miles 1998:90). Craik alludes on the relationship between fashion and self-concept commented that 'the body is constantly re-clothed and re-fashioned in accordance with changing arrangements of self' (cited in Miles 1998:102). Miles also explained that fashion not only reveals your identity but also helps a particular individual to express his or hers individuality (Miles 1998:104).  

 

CONCLUSION

 

The literature review mainly outlines the consumers' perception towards fashion and the effects of COO image. The fist half of review concentrates on the COO effects. The studies have revealed that the COO image has a significant impact on the product category and the consumers' perception. It concludes that the buying behaviour of the consumers is influenced by the COO image. Fashion involvement along with COO is another factor which influences the buying behaviour of fashion consumers.

 

Self-concept theory bounds the choices of consumers towards fashionable apparels. Fashion now-a-days is used as a mode for self-expression and a way of making perceptions about others. Researchers discovered that people who wear similar clothes are considered to have similar thoughts, ideas and experiences. Clothes resemble one's personality and hence special attention is given to fashion to enhance it.

 

It is believed that the findings of this research will be extremely important to understand different factors that influence consumers' perception. It provides a notion and a deep understanding on how consumers will behave in situations where fashion goods are bought in from other countries.

 

3.     RESEARCH OBJECTIVES

 

Overall aim of the study

 

The overall objective of the research study is to determine UK consumer perception towards Indian fashion. The study specifically explores the perception of UK consumers toward the Indian clothing market. The study also analyses how country of origin affects the buying behaviour of consumers. Various research literatures have been adapted to understand the country of origin effects. For instance the model introduced by Roth and Romeo (1992) to examine the fit between the perceived image of COO and the product category, stereotyping behaviour of consumers towards COO. The specific objectives of the research are listed below:

 

  • To determine the perception of UK consumers towards Indian fashion, as the country (India) possess a distinct country image as an origin of traditional and ethnic garments. In accordance with country of origin research aims to examine demographic, stereotyping and consumer ethnocentrism behavioural variables relation to fashion.

 

  • To determine whether or not consumer self-concept has an effect on consumers' relationship with the fashion.

 

  • To determine the degree fashion involvement influence on Consumer behaviour towards the Indian fashion.

 

4.     METHODOLOGY

This part of the paper presents the methodology used in this study. It will discuss the research methods available for the study and what is applicable for it to use. Likewise, the chapter will present how the research will be implemented and how to come up with pertinent findings.

 

4.1 METHOD OF RESEARCH

There are three kinds of research methods (Walliman and Baiche, 2001).  The correlational research refers to studies in which the purpose is to discover relationships or associations between variables.  The correlational kind of research method is used due to the aim of the study i.e. to determine the relationship of consumer behaviour towards Indian fashion. Sometimes the conditions to which research participants are exposed can be highly emotional or thought-provoking. In these cases, ethical considerations arise for researchers, who are concerned with the immediate effects of their research on participants, but also with the potential long-term benefits for larger segments of society. Through correlational research, ethical issues such as deception and mimicking the conditions of real life are avoided. Ethical principles include informed consent, limited use of deception, protection of participants from harm and unnecessary discomfort, confidentiality, and full disclosure of any deception at the end of the experiment.

 

Moreover, correlational research is used due to practical problems with experiments. This mode of study is widely applicable, reasonable, and usually ethical. A correlational relationship between two variables is occasionally the result of an outside source, so one has to be careful and remember that correlation does not necessarily tell about cause and effect. It should, however, be pointed out that the most serious danger of this type of research is the conclusion that because two factors go together, one is the cause and the other is the effect.

 

On the other hand, this research also considers the descriptive type of research method. The descriptive research method uses observation and surveys. In this method, it is possible that the study would be reasonable and quick. It could also suggest unanticipated hypotheses. Nonetheless, it would be very hard to rule out alternative explanations and especially infer causations. This descriptive type of research utilises observations in this study.  Descriptive research is a type of research that is primarily concerned with describing the nature or conditions and degree in detail of the present situation (Landman, 1988; Creswell, 1994). The emphasis is on describing rather than on judging or interpreting. The aim of descriptive research is to verify formulated hypotheses that refer to the present situation in order to elucidate it.

 

According to Burns & Grove (2001) researchers who use this method for their research usually aim at demarcating the population by means of perceiving accurately research parameters and recording in the form of a written report of that which has been perceived. The aim of the latter is that when the total record has been compiled, revision of the documents can occur so that the perceptions derived at can be thoroughly investigated. Because the total population during a specific investigation can not be contemplated as a whole, researchers make use of the demarcation of the population or of the selection of a representative test sample. Test sampling therefore forms an integral part of descriptive research. 

 

The researcher opted to use this kind of research to obtain first hand data from the respondents so as to formulate rational and sound conclusions and recommendations for the study. Moreover, this method allows me to utilise approaches that are more applicable in understanding a culture. The purpose of this study is to describe how UK consumers perceive the possibility of fusing Indian tradition to local tradition through clothing.

 

This study will extend from being descriptive to being analytical by analysing, and evaluating data and synthesising ideas. According to Sauders, Lewis, and Thornhill (2003), descriptive research alone is not enough in the formulation of conclusions so there is a need to go further to draw conclusions.

 

Moreover, this study will employ a multi-methods strategy. To come up with pertinent findings and to provide credible recommendations, this study will use two sources of research: primary and secondary. Primary research data will be obtained through this new research study. Questionnaire survey and in-depth interviews will be conducted.  In addition, the secondary research data will be obtained from previous studies on Indian and UK culture and clothing.

 

 

4.2 QUANTITATIVE AND QUALITATIVE RESEARCH TECHNIQUES

By mixing the methodologies that will be used in conducting the study the researcher will be enabled to take a broader and complimentary view of the issues being researched. The research on the possibility of harmonising Indian fashion with UK fashion will be based on both quantitative and qualitative research methods.  The questionnaires will be used to collect quantitative and qualitative data and the observations and in-depth interviews will be used to provide qualitative insights into the data collected.

 

According to Burns and Grove (2001) quantitative research is a formal, objective, systematic process in which numerical data are utilised to obtain information about the world. This allows investigation of important new issues and questions on Indian clothing as they arise, and will allow me to drop unproductive areas of research from the original research plan. Through this quantitative research technique, the relationship between the perceptions of traditional Indian clothing and UK fashion, and the prospect of harmonising the two cultures through fashion will be examined.

 

When selecting approaches to a study decisions should reflect which approach is most suitable for the topic under consideration. However it is also reasonable to suggest that they may also reflect the bias of the researcher. For example, the majority of medical research is quantitative and considered to produce "hard", generalisable results, whilst much of nursing research is qualitative and considered to produce "soft" results (Burns & Grove, 2001).  Qualitative approaches to research are based on a "world view" which is holistic. Under these approaches, it is believed that there is not a single reality; reality is based upon perceptions that are different for each person and change over time; and what we know has meaning only within a given situation or context.

 

This study will also employ qualitative research methods because the researcher intends to find and build theories that will explain the relationship of one variable with another variable through qualitative elements in research. Through ocular observation and interviews, qualitative elements that do not have standard measures such as behaviour, attitudes, opinions, and beliefs within the Indian culture are analysed. 

 

Furthermore qualitative research can be multimethod in focus, involving an interpretative, naturalistic approach to its subject matter. This means that qualitative researchers study things in their natural settings, attempting to make sense of, or interpret phenomena in terms of the meanings people bring to them. The reasoning process used in qualitative research involves perceptually putting pieces together to make wholes. From this process meaning is produced. However, because perception varies with the individual, many different meanings are possible.

 

Through observations and interviews, this study will identify the factors that affect the fashion sense of UK consumers; to discuss the effects of globalisation and modernisation on Indian clothing; the impact of ethnicity in terms of choice and evaluation of clothes; the evolution of Indian clothing; and the characteristics of Indian and UK clothing styles that make it possible to harmonise these two styles. 

 

The primary sources of data come from the survey, observations and interviews conducted by the researcher to consumers in the United Kingdom while the secondary sources of data come from published articles from journals, books and related studies on UK and Indian clothing.

 

4.3 RESEARCH PLAN

For this research design, the researcher will gather data, collate published studies from different local and foreign universities and articles from social science journals; and make a content analysis of the collected documentary and verbal material.  Afterwards, the researcher will summarise all the information, make a conclusion based on the null hypotheses posited and provided insightful recommendations on the possibility of harmonising Indian fashion and UK fashion styles.

 

4.4 HYPOTHESIS

From the previous discussions, this paper aims to analyse and discuss the following hypotheses:

1.                  There is a significant relationship between current perception of UK consumers towards UK fashion and perceptions towards Indian fashion.

2.                  There is a significant difference between the perceptions of respondents towards fusion of Indian fashion to UK fashion with respect to their gender.

 

4.5 SURVEY

4.5.1 Questionnaire Structure

The researcher will design a questionnaire for the survey. The primary aim of the questionnaire is to determine how UK consumers perceive traditional Indian and UK fashion designs. Through this, the researcher will be able to know the prospect of harmonising the two designs. This research will use a mixture of closed questions and more open comments in the questionnaire.  A closed question is one that has pre-coded answers.  The simplest is the dichotomous question to which the respondent must answer yes or no.

 

Through closed questions, the researcher will be able to limit responses that are within the scope of this study. For example, the researcher intends to ask the respondents what they think of Indian culture in general. Using a multiple choice method, the answer of the respondents would be within the one of the limited expected answers of the researcher. Thus the researcher will design a closed question type to remain focused on the statement of the problem and on the main purpose of the study.  However, the researcher will nevertheless extend the closed questions with the comments option to be able to gather qualitative data for this study.

 

In addition, closed questions will be used in the survey because the answers are easy to analyse and are straightforward as target respondents are mostly busy that they do not have enough time to give attention to open questions.  Closed response questions save the respondent having to think of possible replies.

 

 

4.5.2 Respondents of the Study

A sample is a finite part of a statistical population whose properties are studied to gain information about the whole (Webster, 1985). When dealing with people, it can be defined as a set of respondents (people) selected from a larger population for the purpose of a survey. A population is a group of individuals, persons, objects, or items from which samples are taken for measurement for example a population of presidents or professors, books or students.

 

Sampling is the act, process, or technique of selecting a suitable sample, or a representative part of a population for the purpose of determining parameters or characteristics of the whole population. To draw conclusions about populations from samples, we must use inferential statistics which enable us to determine a population's characteristics by directly observing only a portion (or sample) of the population. Obviously, it is less resource intensive to observe a part rather than the whole, but we should prepare ourselves to cope with the dangers of using samples.

 

The researcher plans to take a sample population of 20 male and female teenaged respondents and 30 women and men with age ranging from 40 to 50 years.  The researcher also decided to do so because teenagers are assumed to be fashion-oriented (Jordan, 2004). 

 

Basically, the sample size of the population in this paper was determined by Slovin's formula discussed in the book of Saunders, M., Lewis, P., and Thornhill, A. (2003; p. 158). The formula of Slovin is given as follows:

Where:

            n = a sample size         

N= population size

e= desired margin of error (percent allowance for non-precision            because of the use of the sample instead of the population). 

 

Apparently, the questionnaire-survey will collect data on the respondents' demographic profile first to check that the sample is appropriately stratified and representative and second to provide further information about the sample for analysis purposes.

 

Furthermore, the researcher will design the online questionnaire through an online questionnaire framework at www.studentresearcher.com. This website specialises in student research offering the opportunity to design an online or paper questionnaire which can be easily constructed providing multiple choices.

 

To determine the impact of Indian culture on UK fashion, and the possibility of mixing Indian and UK clothing styles, the researcher will prepare a questionnaire and a set of guide questions for the interview that will be asked to the intended respondents. The data collection instrument will be a structured questionnaire that will be designed and based on Likert scale. A Likert Scale is a rating scale that requires the subject to indicate his or her degree of agreement or disagreement with a statement.

 

Instead of using a five-response scale, the respondents will grade each statement in the survey-questionnaire using a Likert scale with a four-response scale wherein respondents would be given four response choices. This is to make sure that respondents will not provide a 'safe' response by choosing the middle choice, as in the case of odd number scales  Even numbers prevent people from 'sitting on the fence' – they force people to make a clear decision. The equivalent weights for the answers will be:

 

                        Range                                     Interpretation

                  4.50 – 5.00                              Strongly Agree

                  4.10 – 5.00                              Agree

                  2.10 – 3.00                              Disagree            

                        0.00 – 2.00                              Strongly Disagree

 

The scores need to be weighted as such in order to be informed on the degree of response given by the respondents.  Thus, a more credible and specified interpretation may be given.

 

4.6 INTERVIEW

For the face-to-face interview part, open-ended questions will be used to obtain as much information as possible about how the interviewees feel about the research topic. The researcher will interview 10 purposively selected UK University students who are taking courses on Arts and Social Sciences.

 

The researcher will design a semi-structured interview. Using this type of interview enables the researcher/interviewer probe deeper on the issues of harmonising Indian and UK cultures through fashion. Unlike structured interviews which are standardized and do not allow the interviewer to deviate from the questions (Saunders, Lewis, and Thornhill, 2003), this type of interview does not limit response of the interviewees.

 

Open questioning, in addition, will help me explore the topic and produce a fuller account. In this case, interviewees are encouraged to clarify vague statements and to further elaborate on brief comments. The researcher will not also share her own beliefs and opinions so as not to influence the answer of the interviewee. Importantly, the researcher will avoid leading questions and showing personal bias as these may result to interviewee or response bias (Saunders, Lewis, and Thornhill, 2003).

 

In both the online survey and face-to-face interview, the distribution and collation methods that will be used to manage the process will ensure anonymity. A cover letter will explain to them what the research is all about and how the researcher intends to regard the survey with high confidentiality. The results from the interview will be given in question and answer format; while the results of questionnaire survey would be presented in the tabular form with a few graphical representations. The questionnaire will be given at the appendix. Content analysis will be drawn from the interviews to identify how effective is the harmonisation of Indian and UK clothing styles.

 

4.7 VALIDATION AND ADMINISTRATION OF INSTRUMENT

For validation purposes, the researcher will initially submit a sample of the set of survey questionnaires; and after approval, the survey will be initially conducted with five respondents. The respondents will be composed of my colleagues who are knowledgeable about designing questionnaires. The researcher will also include in the initial respondents those who belong to the general population of the study. After the questions are answered, the researcher will ask the respondents for any suggestions or any necessary corrections to ensure further improvement and validity of the instrument. 

 

4.8    RESOURCES AND DATA ANALYSIS

As was discussed previously, there are two resources that were used for the completion of this study, one of which is the primary resource (or the direct information-gathering which was discussed in the earlier parts of this chapter) and the secondary resources. The secondary resources were taken from the literatures and published documents that pertained to the changes and developments that have occurred within UK fashion and thus allowing for objective perspectives on the changes. This will also be used to correlate with the data that the respondents give, providing a wider understanding on the goings-on in the tourism industry.

 

Data gathered using these instruments were collated for analysis. Data analysis will primarily be characterised by comparative and statistical approach. Qualitative data derived from interviews will be presented in text and tabular formats. These will then be supported by quantitative data from the survey questionnaire used, which will be presented in graphic forms. In order to facilitate the computation required for this study, the SPSS program will be utilised. Specifically, descriptive statistics and frequencies will be computed so as to evaluate the visitor experience of the selected participants.

 

4.8.1 SPSS

The SPSS is a software that allows faster assessment of the statistical data as based on the compiled information and backgrounds of the respondents. This allowed the researcher to take note of the different information that the data resolves and be able to use these data for the assessing. Moreover, the SPSS is also valuable for quicker results that will save the researcher time and effort in understanding the different information. However, it must also be emphasised that despite the help that SPSS offers to the assessment of the study, there is the continued need for the researcher to know how to analyse the data and be able to give the necessary conclusions and findings based on the gathered information. Moreover, the descriptions of the situations must also be conducted based on the area as well as certain circumstances must also be included through objective study, thus requiring that the researcher to be analytical. As such, this study is the result of the effort in pacifying the use of analytical and scientific assessment as included with the observation of the researcher, while also making the connection.

 

4.9 ISSUES TO BE ADDRESSED FOR THE STUDY

Because this study will utilise human participants, certain issues must be addressed. The consideration of these issues is necessary for the purpose of ensuring the privacy as well as the safety of the participants. These issues must be identified in advance so as prevent future problems that may arise during the research process. Among the significant issues that need attention include consent, confidentiality and data protection.

 

4.9.1 Gaining Consent

Securing permission and gaining the consent of the participants for this study is an important ethical consideration. In order to do so, the researcher must relay the aims of the research clearly to all participants. Each participant should be asked to accomplish a consent form, stating in detail all the activities involved as well as the purpose of the study. The reasons why these personalities are selected as participants should also be stated so as to enable the selected participants to connect the aims of the research with that of the participant qualifications. In the consent form, the researcher should also discuss in detail all the treatments or procedures that will be done during the process.

           

Building rapport and gaining the trust of the participants who were involved in the study are also essential. These will help in ensuring the cooperation and willingness of the participants to give dependable and sufficient data that will help the study. Although the participants may initially give their consent for the research process, the researcher must give the assurance that they are allowed to withdraw from the study even without providing any reason. By giving this freedom, the participants will not feel forced to participate in the process.

           

The possible risks that were included in the research were also discussed with the participants in an effort to gain their consent and also to let them know about their position in the study. More importantly, mechanisms to prevent risks of information leak was also considered and used; one of these is to practice openness and to ensure that the researchers who have access to the information will keep their confidentiality. Openness and honesty all throughout the study assured the research respondents that their security and safety is of utmost priority. All of these factors to gain the consent of the research participants were discussed in the most comprehensive manner based on their level of understanding.

 

4.9.2 Confidentiality

The privacy of the respondents as well as the confidentiality of their responses was prioritised by the researcher as well. This was done through keeping their private information confidential and by merely using the information that they have given as part of the statistical information of the study. Moreover, it was ensured that the respondents know the purpose and subject of this study in order to help them with the formulation of their own perspectives. It is thought that this reassurance lends to better and more accurate responses from the respondents as their reasons will be given better assessment and they will be less inhibited when it comes to responding on the questions that may be based on some personal information.

 

4.10 SUMMARY OF METHODS

As stated in this chapter, the researcher will undergo stages. In the research design, the researcher will collect secondary data and will formulate and develop the questionnaire and interview. In this stage, these instruments will be subjected to approval and validation. During the data collection, the researcher will collate and summarise the data that will be obtained from the questionnaire and survey. The researcher will then analyse these data and from these, findings and recommendations will be presented. In summary, the researcher will have taken four major phases to complete the study.

 

Phase 1: Problem Identification for Research

In the first phase, the researcher identifies the specific focus of the problem to be researched. This involves reviewing existing theory, research, and practices from professional literature. This process helps me integrate theoretical perspectives and empirical findings with my own understanding of the problem, and discern the aspect of the problem the researcher want to research and learn more about.

 

Phase 2: Administration of the Instrument

After reviewing literature, the researcher formulates questions for the survey and makes a set of guide questionnaires for the interview. These are then presented to the advisor for validation purposes. After this the researcher will initiate a process of building collaborations with the UK consumers and UK University students who will participate in the study. Because the researcher has colleagues working in the University, building relationships with, and forming collaborations among, them will be easily accomplished.

 

 

 

 

Phase 3: Data Collection and Analysis

In the third phase, the researcher will collect and analyse data for the purposes of identifying critical cultural/contextual variables specific to their setting. These data will enable me to achieve a specific understanding of the problem.

 

Phase 4: Data Synthesis and Generation of Recommendations

In the fourth phase, the researcher will synthesise findings from the previous phases and relevant previous research. The focus of this stage is to synthesise these data to modify existing hypotheses and account for different factors, as well as generating recommendations based on new understandings. During this phase, research-based, culture-specific recommendations for action will be generated.

 

The researcher would like to mention that in the future, it is planned to hold a fashion show concerning the Indian traditional clothes after getting them together with the UK styles, namely, after creating some designs derived from the harmonised Indian and UK styles.  These designs will be accompanied by another analytical writing based on creating these styles and the results of what will be conducted through the questionnaire.

 

 

5.     ANALYSIS, PRESENTATION AND INTERPRETATION OF DATA

 

This chapter presents the data gathered from the questionnaires conducted by the researcher from the consumers in United Kingdom. As explained in the methodology, a sample population of 20 male and female teenaged respondents and 30 women and men with age ranging from 40 to 50 years were selected in order to answer the questionnaires, which were sent to them through e-mail. The respondents were to send their answers also through e-mail. Although ideally, this study would have 50 respondents, it was already anticipated that less than the actual number of people would answer the questionnaires; as it is, there are actually 42 respondents who replied to the mail.

 

This chapter will have three sections in order to facilitate a better analysis of the data that were gathered. The first sections will involve the characteristics of the respondents to give the readers an idea about the background of the respondents. The next sections involve the survey questions pertaining to consumers' perception towards Indian Fashion. The third section will be discussing the results of the Interview. And finally, the synthesis of the chapter will be shown in section four. This is to ensure that the proper data will be collected and analysed and be able to derive conclusions concerning the perception of UK consumers towards Indian fashion.

 

The conduct of this study entails a detailed account of the demographic profile of the respondents.  It is assumed that the attributes of the respondents influence their behavior and answers on the survey questions.  Of particular significance to the achievement of the goals and objectives of the study – which is to be an instrument of analysis of the institution to gauge where it is now and where it is heading, thus what changes are to be made – is to be able to evaluate the following hypotheses:

 

  1. There is a significant relationship between current perception of UK consumers towards UK fashion and perceptions towards Indian fashion.
  2. There is a significant difference between the perceptions of respondents towards fusion of Indian fashion to UK fashion with respect to their gender.

 

5.1 What is the demographic profile of the respondents in terms of:

 

1.      age,

2.      gender

3.      civil status

4.      educational attainment

5.      occurrence of wearing Indian clothes

 

The profile of the respondents is looked upon in terms of age, gender civil status, educational attainment, and occurrence of wearing Indian clothes

 

Figure 1

Age of the Respondents

           

Figure 1 shows the age range of the respondents. Thirty three percent (33%) of the respondents were 41-50 years old, showing that most of them were already considered as adult. Seventeen percent (17%) of the respondents were between 31-40 years old. Twenty six percent (26%) of the respondents were between 21-30 years old.  Respondents' aged 16-20 is 24% of the total respondents. The apparent diversity of the maturity of the respondents reflects several implications in the study's findings. To illustrate, almost one hundred percent of the respondents stated that they are wearing Indian clothes. In relation of the age bracket of the respondents, the researcher could presume that in the said percentage, a considerable number could be among the adult members of the population.

 

Figure 2

Gender of the Respondents

 

Figure 2. The number of the female respondents (57%) is still closed to the male (43%) with the total of 24 for female and 18 for male. Based on the figure, the dominated gender among the respondents is female. Based on the collated questionnaires, over a half of the population is composed of female respondents while 43% are males. This shows a virtually equal footing in terms of representation of gender regarding the perception of women in terms of Indian fashion acceptance. The female respondents outnumbered the male respondents by approximately 14%; this data provides a glimpse of the aggregate size of women that are concerned to Indian fashion emerging in UK market.

 

                                                                 Figure 3                                                                

Civil Status

 

Figure 3. The above illustration shows the civil status of the respondents. 50% of the total respondents, which is the dominated response is married. There is only 48% who are single from the forty-two respondents. As the figure was interpreted, there is a little percentage of respondents who are separated. Basically, the response of the respondents in this particular variable provides a great impact to the finding s of the study. Based on these responses, we can say that most of single and married respondents are aware about the impact of Indian fashion to UK fashion businesses.  With this results we can deviate that majority of the respondents who are engage to the development of Indian fashion in UK market are from the dominant respondents in the society with respect to civil status i.e. single and married.

 

 

Figure 4

Educational Attainment of the Respondents

 

Figure 4. Likewise, the respondents were asked for their educational attainment and the report shows 65 % of them graduated in college are currently taking up masters or doctoral degrees. The survey indicates that most of the respondents are mature and knowledgeable that is engage to the study. This data illustrate the maturity of the respondents particularly in terms of experience. On the other hand, the apparent small number of youthfulness of the respondents, provided by their age and their lack of professional experience could not be considered as deterrence to their responses considering that the researcher has made sure that the respondents are familiar to Indian clothes and fashion. Moreover, there is a noticeable distinction of the respective positions of the younger generations in their respective perceptions towards Indian fashion in UK market.

 

 

 

 

                               Figure 5                                                         Figure 6

               Do you wear Indian clothes?                                       How often?

    

 

Figure 5.  This part of the paper illustrates the number of respondents who are aware to Indian fashion particularly to Indian clothes. Basically, the majority of surveyed respondents are familiar to Indian fashion since they all tried and tested wearing Indian clothes which corresponds to 95% of the total subjects. In terms of number of occurrence of wearing Indian clothes (see Figure 6), 64% of them wore this "sometimes".  On the other hand, 21% of them wore this type of dress rarely or if there are only special occasion. A good percentage of 10% responded that they are wearing this type of clothes most of the time. And 5% of them never wore this kind of fashion.

 

 

5.2 Perception of the Respondents

This part of the study illustrates the perception of the respondents pertaining to Indian fashion in UK setting.  It illustrates how applicable and acceptable the Indian fashion to the UK market as perceived by UK consumers.  The issues related to culture, Indian fashion, UK fashion, behaviour of consumers will be discussed in this section.  Basically, this part will be divided into three sections i.e. (a) Perception on Indian Culture and Fashion, (b) Perception on UK Culture and Fashion, and (c) Prospect of Harmonising UK Fashion with Indian Fashion.

 

5.2.1 Perception on Indian Culture and Fashion

 

Table 1. Perception on Indian Culture and Fashion

Statements

Mean

Standard Deviation

Interpretation

1. Power is embedded in traditional Indian fashion.

2.738095

0.798154

Agree

2. Respect and dignity are achieved in wearing Indian clothing.

2.714286

0.805036

Agree

3. Indian fashion represents a status symbol.

2.738095

0.828149

Agree

4. Indian clothes are comfortable to wear.

2.785714

0.87054

Agree

5. Indian fashion clothes are practical to wear.

2.642857

0.905846

Agree

6. Indian fashion clothes are economical.

2.880952

0.832346

Agree

7. Indian fashion clothes are conservative.

2.261905

0.828149

Disagree

8. Indian fashion clothes are still relevant to modern UK society.

2.738095

0.766987

Agree

 

 

Table 1 illustrates the perception of the respondents pertaining to Indian culture and fashion.  The table presented the overall mean standard deviation and interpretation in each statement. Basically, it shows that majority of the respondents responded agree on each statement except to statement 7 in which it describes the conservative issue of Indian fashion.  Majority of the respondents disagreed in this statement and reveal that Indian is not that too conservative and since it still relevant to modern UK society.

 

The survey results shows describes that majority of them agreed that Indian fashion shows power, it also creates a mood in which respect and dignity are achieved while wearing Indian clothes.  For the majority of the respondents, Indian fashion represents a status symbol but it is still comfortable to wear.  Actually, Indian fashion is not a big issue in UK market since most of the consumers are practical because for them Indian fashion clothes are economical.  It is also practical to wear as perceive by the majority of respondents. The forty-two surveyed respondents describe Indian fashion as part of the fashion emerging UK. These results describe Indian fashion as a good fashion sense. It also justified that majority of the respondents accepted Indian fashion to be fused in UK fashion.   In essence, we can deviate that country of origin is not an issue, UK consumers are very much willing to use this clothes provided that it has good quality, economical, comfortable to wear and conforms to modern society.

 

 

5.2.2 Perception on UK Culture and Fashion

 

Table 2. Perception on UK Culture and Fashion

Statements

Mean

Standard Deviation

Interpretation

1. Power is embedded in UK clothing and fashion

2.452381

0.739228

Disagree

2. Consumers achieve respect and dignity when wearing UK fashioned clothes.

2.5

0.83374

Agree

3. UK clothing and fashion statement represents a status symbol.

3

0.826394

Agree

4. UK clothes are comfortable to wear.

3.166667

0.621433

Agree

5. UK clothes are practical to wear.

3.02381

0.562577

Agree

6. UK clothes are economical.

1.928571

0.676896

Disagree

7. UK clothes are vulgar.

2.547619

0.739228

Agree

8. UK clothes are relevant to modern society.

3.380952

0.582358

Agree

 

 

Fashion is often thought of as a kind of mask disguising the 'true' nature of the body or person. It is seen as a superficial gloss. Yet, it is regarded by ways in which we clothe the body as an active process or technical means for constructing and presenting a bodily self. Western fashion (elite or high fashion) is a particular variant of this in which the designer plays the role of definer. The 'life' of the body is played out through the technical arrangement of clothes, adornment and gesture. In line with this, this part of the chapter illustrates the perception of the respondents pertaining to UK fashion.  From Table 2, it shows that majority of the respondents agreed on every statement except to statement number 1 and statement number 6.  For them, power is not embedded in UK fashion and clothing and most of them stated that it is not economical. From the 2.5 weighted mean in statement number 2, it signifies that majority of the respondents agreed on the statement that consumers achieve respect and dignity when wearing UK fashioned clothes. It represents a status symbol. As the setting is in UK, UK fashion and clothes are practical and comfortable to wear according to the surveyed respondents. With respect to the perception of the subjects, they agreed that UK clothes are vulgar but it is still considered relevant to modern society.

 

From the results of the survey, we can deduced that the specific character of UK consumer fashion was the size and reach of fashion products, and the accelerated rate of stylistic change, rather than consumerism per se. A range of commercial practices should be adapted to the requirements of the fashion industry, including techniques of advertising and promotion, mass production, increased product range, multiplication and differentiation of markets, as well as new techniques of selling. These techniques underpinned the fashion process and shaped associated body techniques. Fashion became a tool of prestigious imitation among most social groups, the specific character of which was flavoured by techniques of gender; fashion and consumer knowledge, competences and habits; and by the circumstances of different lifestyles. Clothes were a key to the modern consumer's sense of identity.

 

5.2.3 Prospect of Harmonising UK Fashion with Indian Fashion

 

Table 3. Perception towards Harmonising UK Fashion with Indian Fashion

Statements

Mean

Standard Deviation

Interpretation

1. Fusing UK culture and Indian culture through clothing will result in acculturation.

3.071429

0.5129

Agree

2. Indian clothing designs will negatively affect UK culture.

1.785714

0.564637

Disagree

3. Indian clothing designs negatively impact traditional values of UK.

1.809524

0.505487

Disagree

4. The fusion of Indian and UK cultures will result in a loss of cultural identity.

2

0.765092

Disagree

5. Harmonising Indian culture with UK culture through fashion will lead to better relationship between the two cultures.

2.952381

0.696765

Agree

6. Combining UK and Indian designs will result to equal empowerment of the two cultures.

3.02381

0.680319

Agree

7. The introduction of Indian designs on UK clothes will promote Indian culture to the rest of the world.

3.309524

0.562577

Agree

8. In this modern society, it is acceptable to fuse Indian and UK clothing designs.

3.214286

0.519649

Agree

 

 

With regards to the goal of the study i.e. to determine the perception of the UK consumers pertaining to Indian fashion, rated statements pertaining to harmonisation of UK fashion to Indian fashion were given to the intended respondents. From 8 statements, 3 of it receives an average disagree response. For these respondents, Indian clothing designs will not affect negatively the UK's traditional values and culture since most them believe that Indian fashion could positively contribute to the culture of the UK consumers. They also disagreed on the statement that "The fusion of Indian and UK cultures will result in a loss of cultural identity". On the other hand, majority of the subjects agreed that harmonising Indian culture with UK culture through fashion will lead to better relationship between the two cultures. Actually, combination of UK and Indian designs will result to equal empowerment of the two cultures as perceived by the respondents. In addition, the introduction of Indian designs on UK clothes will promote Indian culture to the rest of the world. From the results of the survey, it is acceptable to fuse Indian and UK clothing designs.

 

5.3 Interview

 

Question 1. What are the common concerns you have encountered with regard to the fusion of Indian and UK culture through fashion?

 

In accordance to the fusion of Indian fashion to UK market, consumers play an important role to create a strategic technique in launching the Indian fashion clothes.  And that the behaviour of the consumers has a significant role in making the product lasts and recognised. In general, consumer behaviour varies from time to time and the only thing to do is to provide strategic ways in making the consumer buy or purchase the products may it be new or old products. From the interviewed respondents, there are several concerns to be considered with regard to the fusion of Indian and UK culture through fashion.  According to them, issues pertaining to the availability of clothes should be considered.  It is also important to consider the marketing approach to be use in order to attract more UK consumers. The acceptance of new style in accordance with prevailing style should not be neglected. Indian fashion should also consider modern outlook of designs including its comfortable quality.

 

Aside from this, relationship marketing of Indian clothes should be considered in order to attain market success in UK business industry. Relationship marketing is important in the aim of many business organisations to identify customer needs and provide answers or solutions to their problems. In having a good relationship with customers, the company can continue innovating solutions to serve consumers and establish the company in the market. In line with relationship marketing, is the concept of customer value, which is important to determine and evaluate to successfully and efficiently provide the needs of the consumers. Customer value can be influenced by several factors, namely, perceived value, service quality and value, and social and emotional value in terms of brand loyalty.

 

Perceived value determines the success of a product or service, because with a positive perceived value of consumers creates a positive effect in the value of a product or service. Similarly, a good service quality and value helps generate a good profit for the company. In addition, the society has a big influence on brand loyalty, with the role played by the different advertising media. Likewise, emotional loyalty affects relationship marketing, for with the continuous patronage of consumers on specific products or services, the company can cater to their needs. With relationship marketing, customer value can always be determined by the company, which is essential in their aim to efficiently providing their consumers with good and high quality products and services.   

           

 

Question 2. What solutions would you suggest to solve the problems you have mentioned?

 

From the solution stated by the respondents, appropriate marketing techniques should be considered by the firms engaged in marketing Indian clothes to UK consumers.  Proper advertising and factors in marketing should be properly aligned.  In today's business world, the value and importance of customers is not something that should be set aside by companies. Marketing plans and strategies would be incomplete without paying much consideration to the customers. Customers will and should always be a part of the agenda in any marketing plan of any company. Because of the implications for profitability and growth, customer retention is potentially one of the most powerful weapons that companies can employ in their fight to gain a strategic advantage and survive in today's ever increasing competitive environment.  It can be argued that consumers all over the world vary and that these differences may lead to different consumer behaviour.  Since the consumer behaviour is being bounded by the culture and traditional values of nations the differences of consumer behaviour are vastly increasing. Consumer behaviour has been defined as the "acquisition, consumption and disposition of products, services, time and the concepts by decision making units.

 

Thus in this issue, the consumer behaviour involves the purchase process, but it is concerned with the product use process as well. Therefore, consumer behaviour in some general sense concerns not only phenomena that are directly related to but also phenomena that might be characterised as post marketing in the sense that marketing's influence on and involvement in consumers' use of products is nonexistent, more indirect, and/or less intense than its influence and involvement in product purchase.

 

5.4 Synthesis

From the results of the discussion, Indian fashion is most likely acceptable to UK consumers. Country of origin is not an issue since majority of the surveyed UK consumers are willing to use this clothes provided with the consideration stated in Table 1. Basically, Indian fashion and clothing should consider marketing approach to be imposed in order to catch the buying preference of its consumers.  Proper advertisement, quality of products, designs, availability and other business factors needs proper alignment.

 

In accordance to this acceptance of UK consumers, this part of the study also aims to test the hypotheses stated in the beginning of this chapter i.e.:

 

H1: There is a significant relationship between current perception of UK consumers towards UK fashion and perceptions towards Indian fashion.

To test the relationship of the perception of the respondents, the use of correlation statistics was considered. The strength of the linear association between two variables is quantified by the correlation coefficient (Kault, D. 2003).

 

According to Kault, D. (2003), given a set of observations (x1, y1), (x2,y2),...(xn,yn), the formula for computing the correlation coefficient is given by:

The correlation coefficient always takes a value between -1 and 1, with 1 or -1 indicating perfect correlation (all points would lie along a straight line in this case) (Kault, D. 2003). A positive correlation indicates a positive association between the variables (increasing values in one variable correspond to increasing values in the other variable), while a negative correlation indicates a negative association between the variables (increasing values is one variable correspond to decreasing values in the other variable). A correlation value close to 0 indicates no association between the variables (Stevens, J.P. 1999).

 

Since the formula for calculating the correlation coefficient standardises the variables, changes in scale or units of measurement will not affect its value. For this reason, the correlation coefficient is often more useful than a graphical depiction in determining the strength of the association between variables. Using this tool, this part of the study illustrates the relationship of the variables related to the issues pertaining the current perception of UK consumers towards UK fashion and perceptions towards Indian fashion. The result of correlation analysis was shown in the next page.

 

 

 

 

Table 4. Correlation Analysis

 

The correlations table displays Pearson correlation coefficients, significance values, and the number of cases with non-missing values. Pearson correlation coefficients assume the data are normally distributed. The Pearson correlation coefficient is a measure of linear association between two variables.

 

As previously stated, the values of the correlation coefficient range from -1 to 1. The sign of the correlation coefficient indicates the direction of the relationship (positive or negative). The absolute value of the correlation coefficient indicates the strength, with larger absolute values indicating stronger relationships. The correlation coefficients on the main diagonal are always 1.0, because each variable has a perfect positive linear relationship with itself. Correlations above the main diagonal are a mirror image of those below.

 

In our data, the correlation coefficient for current perception of UK consumers towards UK fashion and perceptions towards Indian fashion is -0.282. Since -0.282 is not relatively close to 1, this indicates that UK consumers towards UK fashion and perceptions towards Indian fashion are not positively correlated. The significance of correlation coefficient is also displayed in the correlation table. The significance level (or p-value) is the probability of obtaining results as extreme as the one observed. If the significance level is very small (less than 0.05) then the correlation is significant and the two variables are linearly related. If the significance level is relatively large (for example, 0.50) then the correlation is not significant and the two variables are not linearly related. Since the correlation coefficient for the perception of UK consumers towards UK fashion and perceptions towards Indian fashion is 0.070, then we cannot conclude that there significant relationship between two perceptions. The results of correlation statistics justified that the perception of UK consumers towards UK fashion and perceptions towards Indian fashion is different from each other.

 

H2: There is a significant difference between the perceptions of respondents towards fusion of Indian fashion to UK fashion with respect to their gender.

 

To determine the difference between the perception of respondents towards fusion of Indian fashion to UK fashion with respect to their gender. The t-test is the most commonly used method to evaluate the differences in means between two groups (Guilford, J.P. and B. Fruchter 1973). Theoretically, the t-test can be used even if the sample sizes are very small (e.g., as small as 10; some researchers claim that even smaller n's are possible), as long as the variables are normally distributed within each group and the variation of scores in the two groups is not reliably different (Walpole, RE, Myers, RH, Myers, SL and Ye, K 2002). Basically, the normality assumption can be evaluated by looking at the distribution of the data using histograms or by performing a normality test (Walpole, RE et al, 2002). The equality of variances assumption can be verified with the F test, or we can use the more robust Levene's test. If these conditions are not met, then we can evaluate the differences in means between two groups using one of the nonparametric alternatives to the t- test.

 

When testing for a relationship between two variables, sometimes there is a 3rd variable, which we are not interested in at the moment, which influences our results.

 

 

 

 

So, the null hypothesis (Ho: x and y are independent), can also be written as:

Ho: mD= 0, where mD = population mean of difference scores

df = N - 1, where N = the number of pairs of participants

 

Then, using the standard "template" for our inference test, we have:

Source: Walpole, RE et al 2002

Assumptions of the Tests[1]

            In conducting t-test analysis, it is very vital to consider the following assumptions.

Ø      One last note: It is important to know the assumptions we make in using the 2 sample t-test.

Ø      Characteristics of the Dependent Variable: It is assumed that y is interval, continuous, and normally distributed.

Ø      Homogeneity of Variance: We assume that the variances are equal for both groups in the population. If the sample estimates are vastly different, such as 9:1 or 3:1, then you probably have violated this assumption. As you can see, the two sample estimates have to be very different from each other before we worry about the assumption. For this reason we say that t is robust with regard to violations of this assumption. In other words, t still works well, unless the sample variances are drastically different from each other.

           

When homogeneity of variance is violated, it is suggested use of the following modified 2 group tdf for independent samples.

Source: Walpole, RE et al 2002

Table 5

 

Table 5 display the number of cases, mean value, standard deviation, and standard error for the variables compared in the T Test procedure. Since the T Test compares the means for the two variables, it is useful to know what the mean values are. From the presentation pertaining to the overall perception towards fusion of Indian fashion to UK fashion the overall computed means for male and female are 2.5208 and 2.7396, respectively.

Table 6

Independent Samples Test

 

As previously discussed, the T Test procedure compares the means of two variables that represent the same group at different times (e.g. between responses of male and female respondents) or related groups. The Independent-Samples T Test procedure compares means for two groups of cases. As shown in Table 6, the mean values for the two groups are displayed in the Group Statistics table. Since the significance value for the Levene test is low (typically less than 0.05) then we may use the results that do no assume equal variances for both groups. From the results, a low significance value for the t test (typically less than 0.05) indicates that there is a significant difference between the two group means. Thus, from the survey respondents, we may conclude that the perception of their perception towards fusion of Indian fashion to UK fashion with respect to their gender is different to each other.  Meaning to say, the perception of female respondents is different from the perception of the male respondents. Please see Appendix B for the complete results of t-test analysis.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6.     SUMMARY, CONCLUSIONS AND RECOMMENDATIONS

 

 The focus of this study is to investigate the perception of UK consumers pertaining to Indian fashion. Basically, the general population for this study will be composed of randomly selected respondents in different areas in UK. These samples were also are interviewed. This study also intends to explore the factors to be considered in determining the impact of Indian fashion to UK as perceived by UK consumers.   Data collected from the different sets of respondents provided answers to the queries of the researcher. The primary source of data will come from a questionnaire that will be distributed to individuals who are aware to the fusion of Indian fashion to UK fashion. Their cooperation was fervently soughed after and its descriptive analysis of its creation and historical establishment was undertaken, from the organisational structure down the most detail permitted. The secondary of data will come from an extensive review of the literature on articles, journal articles, books, and magazines relating to Indian fashion, UK fashion, consumer preferences, culture and country of origin effects. The study used purposive sampling as a method of choosing its population. Purposive sampling can be very useful for situations where you need to reach a targeted sample quickly and where sampling for proportionality is not the primary concern. Most sampling methods are purposive because they approach the sampling problem with a specific purpose in mind. The general population for this study is 20 male and female teenaged respondents and 30 women and men with age ranging from 40 to 50 years.  The researcher also decided to do so because teenagers are assumed to be fashion-oriented. To determine the assessment of the respondents pertaining to the issues raised in this paper, the researcher prepared a questionnaire and a set of guide questions for the interview that is e-asked to the intended respondents. The respondents graded each statement in the survey-questionnaire using a Likert scale with a five-response scale wherein respondents are given five response choices. Concurrently, the study employed both qualitative and quantitative research methods to ensure a flexible and iterative approach. During data gathering the choice and design of methods are constantly modified, based on ongoing analysis. This allows investigation of important new issues and questions as they arise, and allows the investigators to drop unproductive areas of research from the original research plan. The researcher also uses percentage, descriptives, t-test and ANOVA statistics to evaluate the collated data.

 

 

6.1 Summary

 

6.1.1 Profile of the Respondents

The respondents were composed of the respondents at the fashion industry in UK. Basically, thirty three percent (33%) of the surveyed respondents were 41-50 years old, showing that most of them were already considered as adult. Seventeen percent (17%) of the respondents were between 31-40 years old. Twenty six percent (26%) of the respondents were between 21-30 years old.  Respondents' aged 16-20 is 24% of the total respondents. In regards to the gender of the subjects, the number of the female respondents (57%) is closed to the male (43%) with the total of 24 for female and 18 for male. Apparently, the subjects were also asked pertaining to their civil status and it shows that 50% of the total respondents, which is the dominated response is married. There is 48% who are single from the forty-two respondents. From the presentation in the previous chapter, there is a little percentage of respondents who are separated. Likewise, the respondents were asked for their educational attainment and the report shows 65 % of them graduated in college are currently taking up masters or doctoral degrees. The survey indicates that most of the respondents are mature and knowledgeable that is engage to the study. In consideration to fusion of Indian fashion to UK, the respondents were asked if they are wearing Indian clothes and how often.  From the results, majority of surveyed respondents are familiar to Indian fashion since they all tried and tested wearing Indian clothes which corresponds to 95% of the total subjects. In terms of number of occurrence of wearing Indian clothes, 64% of them wore this "sometimes" which signifies dominant response in this category. 

 

6.1.2 Perception of the Respondents

From the given perception of the respondents pertaining to the three categories in the survey questionnaire i.e. (a) Perception on Indian Culture and Fashion, (b) Perception on UK Culture and Fashion, and (c) Prospect of Harmonising UK Fashion with Indian Fashion, the respondents gave an overall average Agree rating.  This means that the fusion of Indian fashion or clothes to UK market has something to do to on the satisfaction of the UK consumers.  All the statements from the survey are clear to the respondents. According to the respondents, Indian fashion represents a status symbol but it is still comfortable to wear.  Actually, Indian fashion is not a big issue in UK market since most of the consumers are practical because for them Indian fashion clothes are economical.  It is also practical to wear as perceive by the majority of respondents. The results of the gathered information justified that that majority of the respondents accepted Indian fashion to be fused in UK fashion.  Actually, the country of origin is not an issue here, UK consumers are very much willing to use this clothes provided that it has good quality, economical, comfortable to wear and conforms to modern society.

 

On the other hand, UK fashion is still in good condition as perceived by most consumers. As the setting is in UK, UK fashion and clothes are practical and comfortable to wear according to the surveyed respondents. With respect to the perception of the subjects, they agreed that UK clothes are vulgar but it is still considered relevant to modern society. Moreover, majority of the subjects agreed that harmonising Indian culture with UK culture through fashion will lead to better relationship between the two cultures. Actually, combination of UK and Indian designs will result to equal empowerment of the two cultures as perceived by the respondents. In addition, the introduction of Indian designs on UK clothes will promote Indian culture to the rest of the world.

 

 

6.2 Conclusions

Based on the findings of this study, the researcher concludes the following:

1.  The respondents who took part in this study are already mature in age, responsible and reliable.  They are also aware of what's happening in the fashion industry and are deeply concerned about the improvement in the said industry.

2.  The respondents have given an average rating of Agree or Strongly Agree to each of the criteria. Most of the respondents believe that the fusion of Indian fashion to UK market has something to do with the satisfaction of the consumer. Thus, there should be a good consideration for UK consumers. Proper marketing and business strategies should be considered to get the attention of consumers. The result also indicates that they are satisfied with the current state of things in fashion industry and they are willing to accept Indian fashion. From this results, country of origin do not affect the choice of consumers to accept Indian fashion, however, it is very vital to manufacturers to consider appropriate marketing strategies. Basically, in today's business world, the value and importance of customers is not something that should be set aside by companies. Marketing plans and strategies would be incomplete without paying much consideration to the customers. Customers will and should always be a part of the agenda in any marketing plan of fashion businesses particularly Indian fashion businesses. Because of the implications for profitability and growth, customer retention is potentially one of the most powerful weapons that companies can employ in their fight to gain a strategic advantage and survive in today's ever increasing competitive environment

 

3.  The statistics show that that the perception of UK consumers towards UK fashion and perceptions towards Indian fashion is different from each other. According to the summary, the correlation coefficient for the perception of UK consumers towards UK fashion and perceptions towards Indian fashion is 0.070, then we cannot conclude that there significant relationship between two perceptions. Using these values, we can easily recognise that their relationship is not significant.  On the other hand, the perception of their perception towards fusion of Indian fashion to UK fashion with respect to their gender is different to each other as justified by -2.8 t value.  Meaning to say, the perception of female respondents is different from the perception of the male respondents towards fusion of Indian fashion to UK fashion.

 

6.3 Recommendations

Based on the foregoing summary of findings and conclusion, the researcher recommends the following:

 

1.       Update the marketing strategies and business approach of Indian fashion manufacturers to make it more appealing UK consumers.  Moreover, there should be creative strategies to catch up the attention of UK consumers. Online marketing approach should be considered.

 

2.       Maintain open communication lines among the consumers and Indian fashion and clothes manufacturers.

 

3.       Organisations open communication lines between consumer and business industries especially in disseminating information and communication.  This is to ensure that the businesses in fashion industry know what the consumer is up to and vice-versa.

 

4.       The products or services or even the Indian fashion clothes should always be in synch with the tastes, lifestyle, economic status and purchasing power of the prospect foreign target market.  If the contrary is the case, it may also worthy to consider the time frame in which the marketing strategy and advertising plan will be duly employed and utilised in a foreign locality with different cultural orientation. Time is also the factor to be considered in conceptualising and contextualising a product or service innovation as well as its launching or introduction in the market. Even though the concept of the strategy is a standardised advertising campaign, the people who will be responsible in executing the said project should be sensitive enough to investigate on the local environment. The same advertising campaign does not necessarily mean that the strategy, plans and approached that will be utilised is similar. Too much generalisation about a locality and the people who will be the target of the campaign may post danger on the success of the project. It is important to get close to the audience by knowing their culture.

 

 

Appendix A

Questionnaire

Good day.  I am currently conducting a study on "UK Consumer Perception towards Indian Fashion". To enable myself to make the necessary conclusions and recommendations for this study, I would appreciate it very much if you answer all the items in the questionnaire, adding your own comments whenever possible in the spaces provided.

I assure you that the information you will give will be treated with utmost confidentiality.

Thank you very much.

 

Sincerely yours,

Pranah Shah

 

                                                                                                   

Part 1.  Personal Data

Direction: Please fill up in all the necessary information about yourself.  Don't leave any item unanswered.

a.       Age  ________

b.      Sex

      Male ( )                  Female ( )

c.       Civil Status

Single ( )                 Married ( )       Separated (  )               Widow/Widower ( )

d.      Educational Attainment

      Secondary ( )         Tertiary ( )        Graduate ( )

e.       Do you wear Indian clothes?

     Yes ( )    No ( )

f.        How often?

     Most of the time ( )    Sometimes ( )    Rarely ( )

 

 

Part 2.  Perception on Fashion

Direction:  Encircle the number that best corresponds to your answer.

                        4          -           Strongly Agree

                        3          -           Agree

                        2          -           Disagree

                        1          -           Strongly Disagree

            Also, please provide any comments after each statement. Thank you.

 

A. Perception on Indian Culture and Fashion

1. Power is embedded in traditional Indian fashion.

2. Respect and dignity are achieved in wearing Indian clothing.

3. Indian fashion represents a status symbol.

4. Indian clothes are comfortable to wear.

5. Indian fashion clothes are practical to wear.

6. Indian fashion clothes are economical.

7. Indian fashion clothes are conservative.

8. Indian fashion clothes are still relevant to modern UK society.

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

B. Perception on UK Culture and Fashion

1. Power is embedded in UK clothing and fashion

2. Consumers achieve respect and dignity when wearing UK fashioned clothes.

4          3          2          1

 

 

4          3          2          1

3. UK clothing and fashion statement represents a status symbol.

4. UK clothes are comfortable to wear.

5. UK clothes are practical to wear.

6. UK clothes are economical.

7. UK clothes are vulgar.

8. UK clothes are relevant to modern society.

 

4          3          2          1

 

4          3          2          1

4          3          2          1

4          3          2          1

4          3          2          1

4          3          2          1

 

C. Prospect of Harmonising UK Fashion with Indian Fashion.


1. Fusing UK culture and Indian culture through clothing will result in acculturation.

(Acculturation is the obtainment of foreign culture by an individual or a group of people. This foreign culture is added and mixed with that of his or her already existing one acquired since birth.)

2. Indian clothing designs will negatively affect UK culture.

3. Indian clothing designs negatively impact traditional values of UK.

4. The fusion of Indian and UK cultures will result in a loss of cultural identity.

5. Harmonising Indian culture with UK culture through fashion will lead to better relationship between the two cultures.

 

 

 

 

 

 

4          3          2          1

 

 

 

 

4          3          2          1

 

4          3          2          1

 

4          3          2          1

 

 

4          3          2          1

 

6. Combining UK and Indian designs will result to equal empowerment of the two cultures.

7. The introduction of Indian designs on UK clothes will promote Indian culture to the rest of the world. 

8. In this modern society, it is acceptable to use Indian and UK clothing designs.

4          3          2          1

 

 

 

4          3          2          1

 

 

4          3          2          1

 

 

Part 3.  Problems and Solutions

Direction:  List down your concerns and suggestions regarding the introduction of Indian fashion to UK fashion.

 

1. What are the three most common concerns you have encountered with regard to the fusion of Indian and UK culture through fashion?

a. ______________________________________________________________

b. ______________________________________________________________

c. ______________________________________________________________

 

 

2. What solutions would you suggest to solve the problems you have mentioned?

a. ______________________________________________________________

b. ______________________________________________________________

c. ______________________________________________________________

 

 

 

 

 

 

 

 

 

 

 

 

Appendix B

 

 



[1] Taken wholly from Walpole, RE et al 2002


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